The Chemical Brothers are the latest act to dismiss touring in the US, as the country’s authorities consider raising touring visa fees for foreign acts by more than 250%.

In an interview with Billboard, the English electronic music duo revealed that they aren’t planning any US shows in support of their new album due to ballooning costs.

“The costs have gone up so much. It’s just not really viable at the moment,” said the duo’s Ed Simons. “I’m apologetic to the people who do want to see us that it is increasingly difficult for us to get to America because we have had the times of our lives playing there.”

The pair also commented on the state of touring post-pandemic and how they attempted to lower the costs of their live touring production to make touring the US more affordable.

“[The production] originally came from the fact that we didn’t want to inflict [audiences with] just the two of us awkwardly standing with the synthesisers,” Simons said.

“So we wanted a big back job, but it’s just grown and grown, and now we’ve got these 40-foot clowns voicing the words.”

The increasing costs of touring the US are not helped by a planned increase in the cost of paperwork to get there.

Earlier this year, it was revealed that the US Department of Homeland Security (DHS) was planning to raise touring visa fees for foreign acts by more than 250%.

The current petition fee would rocket from $460 to $1,655 (a 260% increase) for a regularly processed ‘O’ work visa and soar to $1,615 (251%) for a regularly processed ‘P’ visa – putting 50% of all UK tours of the US under threat according to data from trade body LIVE.

However, DHS and the US Citizenship and Immigration Services (USCIS) have now reportedly agreed to delay the implementation of the rise until at least March 2024 and are considering a lower increase.

Regardless, the costs of touring have still prevented several big-name artists from being able to play shows in the US in recent months.

“The costs have gone up so much. It’s just not really viable at the moment”

Last year, English rapper Little Simz cancelled a run of 10 North American tour dates due to the “huge deficit” it would leave her in financially. Santigold also cancelled a tour of the territory, citing “skyrocket[ing]” price of “gas, tour buses, hotels, and flight[s]”.

English electronic group Metronomy, who also pulled the plug on their North America tour, said “Touring America is one of the most expensive and exhausting things a band can do”.

Earlier this year, Easy Life axed their North American tour dates due to “some insane costs,” adding that “the world seems to cost 10x as much as it used to right now”.

The Who frontman Roger Daltrey has also reckoned it unlikely that his band would be able to tour America again.

“We cannot get insured and most of the big bands doing arena shows, by the time they do their first show and rehearsals and get the staging and crew together, all the buses and hotels, you’re upwards $600,000 to a million in the hole,” he said back in April.

“To earn that back, if you’re doing a 12-show run, you don’t start to earn it back until the seventh or eighth show. That’s just how the business works. The trouble now is if you get COVID after the first show, you’ve [lost] that money.”

Placebo, meanwhile, postponed their entire North American tour, last September, just two days before it was due to begin, citing “visa and logistical issues”.

The Music Managers Forum (MMF) and Featured Artists Coalition (FAC) stepped up their #LetTheMusicMove campaign earlier this year in order to oppose changes to US visa applications.

#LetTheMusicMove was originally established in June 2021 to campaign for reductions in post-Brexit costs and red tape for UK artists and musicians when touring in Europe, but extended its focus following the announcement by the DHS.

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UK superstars have joined the chorus of industry experts and trade associations calling on the UK government to commit to underwriting cancellation costs of events such as music festivals and tours, to enable the restart of the live entertainment sector from this summer.

Jools Holland, Depeche Mode, Johnny Marr, Sir Cliff Richard, Robert Plant, Roger Daltrey, Amy McDonald, The Chemical Brothers, Frank Turner and Judas Priest are among those who have weighed in on the ongoing petition for a government-backed insurance scheme, similar to those launched in Norway, the Netherlands, Germany, Austria and Belgium.

The industry’s call-to-action comes days before chancellor Rishi Sunak is set to unveil the Budget. Alongside a government-backed insurance pot, the industry is also urging the chancellor to grant extensions on the 5% VAT rate on ticket sales; employment support; and business rates relief for shuttered venues.

The industry deems event cancellation insurance the ‘last remaining barrier’ to planning events this summer after British prime minister Boris Johnson announced a ‘cautious’ reopening roadmap that could allow festivals to take place after 21 June, but says the window of opportunity for this summer ‘will slam shut very shortly’.

“With the cut-off point for many organisers at the end of the month, this really is the final countdown for many businesses”

Paul Reed, AIF CEO, says: “The prime minister has set out a roadmap and a ‘no earlier than’ date for festivals, and audiences have responded, demonstrating a huge appetite to be back in the fields this summer. But we need government interventions on insurance and VAT before the end of this month when festivals will need to decide whether they can commit to serious amounts of upfront capital.

“Now that we have a ‘no earlier than’ date, insurance is the last remaining barrier to planning. We know that government is aware of the insurance issue and AIF has provided evidence and data to support the case. Having injected huge consumer confidence, government should intervene at this stage and ensure that our culture-defining independent festivals can mobilise and plan for this summer. With the cut-off point for many organisers at the end of the month, this really is the final countdown for many businesses.”

AIF, whose members include Boomtown Fair, Shambala, Boardmasters, End of the Road and Bluedot, recently conducted a member survey in which 92.5% of respondents confirmed they cannot stage events without insurance and described insurance measures as ‘vital’ not optional.

“The window of opportunity for this summer will slam shut very shortly. The government needs to act now”

Tim Thornhill, director of Tysers Entertainment and Sport Division, is working closely with the live entertainment insurance industry and live music industry umbrella organisation Live, to urge the government to work with industry to find a solution.

Thornhill comments: “The government has successfully created a scheme that has enabled the film and television industries to get back to work. Now they need to do the same for the live events industry. But the window of opportunity for this summer will slam shut very shortly. The government needs to act now.

“The live events industry is a massive employer and a significant generator of economic activity. Music alone employs over 200,000 people, with music tourism contributing £4.7bn to the UK economy*. The new YouGov survey shows that demand is there – they will buy tickets and spend on accommodation, food and drink. The government can unlock this boost to the economy at no cost to themselves, just a commitment to help underwrite the cost of cancellations should they occur.”

“This cover will allow our business to function as soon as it is safe for us to do so”

Jools Holland comments: “The solution to this problem could be simple – and what’s more, it doesn’t involve the government paying out money now. Maybe not even in the future, unless Covid strikes again. All we need from the government is the commitment to help if necessary.”

Roger Daltrey CBE comments: “The music business and arts have been enormously affected by the Covid-19 virus, with the ongoing health issues plus the problems thrown up by the government’s essential decision to close our places of work. The government however needs to understand how our industry functions. Promoters, especially those with festivals, bands and any touring acts have enormous outlays before commencing a tour, so insurance for these costs is paramount.

“Insurance companies will no longer cover these costs for Covid-19, which will render much of our business unviable as no promoter can risk setting up an event or tour without this cover. All we ask of our government is to put in place an insurance policy that, in the event of this situation happening again, will cover these costs. As it may be 100 years to the next pandemic it is extremely unlikely that this will involve the government paying out any money, but this cover will allow our business to function as soon as it is safe for us to do so.”

“We have seen the impact on the many people who help make the live shows happen”

The Chemical Brothers comments: “Like many other people we have had to put a lot of work on hold in the last year, and we have seen the impact on the many people who help make the live shows happen. Thousands of jobs have already been lost across the UK live music industry, with many more at risk. The UK government has already provided a financially backed scheme for the film industry, which has allowed production to resume. All we ask is that the same approach be taken to help those in the live events industry, which needs the support too and provides so much to the UK economically as well as culturally.”

Sir Cliff Richard comments: “The live events industry has suffered hugely as a result of the pandemic and has been shut down for nearly a year. Venues, performers and crew have all been badly affected. People’s jobs and income have vanished almost overnight. OUR BUSINESS BRINGS INSPIRATION AND HAPPINESS INTO PEOPLE’S LIVES. WE CAN MAKE THEM SMILE WHEN THEY ARE SAD AND WE CAN HELP THEM SING WHEN THEY HAVE NOTHING TO SING ABOUT! We need the government to help us plan for when it is safe to resume OUR business.”

“The industry is facing near catastrophe without adequate government support”

Amy MacDonald comments: “When people attend a gig they buy a ticket, turn up and enjoy the show. What they don’t always understand is the months of preparation that went on behind the scenes to get to that particular point. Thousands of emails and phone calls, meetings, site visits and not to mention huge amounts of money spent to just get to a point where the tickets are on sale. Another important aspect of preparing for a show is the need to ensure the event but it’s now impossible to get any insurance to cover these shows.

“As we have seen from the recent cancellation of Glastonbury, the live industry cannot even plan to start up again because it is too much of a risk without any insurance. The live industry has been put on hold for nearly a year and with no date for a return and no chance to even plan a return, the industry is facing near catastrophe without adequate government support. Nobody wants to live in a world without live music.”

“Can the PM tell us why he won’t help an industry that contributes billions to the UK economy each year?”

Robert Plant comments: “We all desperately want the UK live industry back on its feet again, so we can enjoy our favourite bands or sports event. Yet without insurance to cover these events, these things can’t happen. So please, can the PM tell us why he won’t help an industry that contributes billions to the UK economy each year?

“We’re not asking for any money, just a commitment to help if Covid ever strikes again. We don’t want a hand-out, we just need a hand up.. to help us get back on the stage. I’ve spent 55 years performing in halls, clubs, theatres and concerts halls across the UK. Now we’re in unchartered waters, soon there will be nowhere left to play. So I’m lending my voice to this campaign in the hope that the government will see sense and lend support before many of our beloved music venues disappear forever.”

Harvey Goldsmith CBE, promoter, comments: “As promoters and producers of live concerts we cannot produce tours without insurance against Covid. We are the risk takers and often have to pay considerable sums upfront to be able to create the tour. If the government at any time decide it is unsafe to continue, or commence a tour, we must be able to take insurance to protect us, as any normal business would expect. If no insurance is available our business will collapse.”

“The single most powerful measure the government could take is to underwrite any losses from Covid-19 cancellations”

Philip McIntyre, promoter, comments: “I would like to support your campaign to have the government underwrite any losses suffered from Covid 19 cancellations whilst the pandemic is still prevalent. My company is in the top five of all live entertainment groups in the UK we are obviously keen to start operating again but we worry about uninsured risk. Now we have a plan to come out of lockdown the single most powerful measure the government could take is to underwrite any losses from Covid-19 cancellations after June this year.

“This would give the risk takers so much confidence they the live arts would return to normal by December this year. If there are claims they would more than likely be on a regional basis and not onerous and the business generated in town and city centres would more than cover them in my estimation the government would be in profit 12 months ahead of a no action situation.”

Frank Turner comments: “It cannot be exaggerated, the devastation caused in my industry by the pandemic. We’re doing what we can to hang on and plan for a better future. An insurance plan will help us survive and come back quicker, and it doesn’t involve the government paying out any extra money now (or possibly ever). It would make an enormous difference.”

“Every effort is made to reduce the costs of a cancelled concert including trying to reschedule a date”

Johnny Marr comments: “The solution to getting music back up safely is easy and it doesn’t involve the government committing money now. All we need from the government is the commitment to help if necessary with an insurance scheme backed by them, and that will get our crews and suppliers back working. The government would only have to pay out in the worst case.”

Barrie Marshall MBE, promoter, comments: “The tremendous work of the NHS and the vaccination programme means that live events can start soon, this gives us hope that we can begin to share those magical moments and wonderful concerts once again. However, we need the government to help us by providing financial backing in the form of an insurance fund. This is needed to cover the costs of an event if it must be cancelled as a result of a Covid outbreak. Every effort is made to reduce the costs of a cancelled concert including trying to reschedule a date in the future but there are some circumstances where this is not possible.”

“We help to get our industry back on track and to help restart live events in a safe, effective way once it’s possible to do so”

John Giddings, promoter, comments: “Our industry has been hit immeasurably over the past year and we need to get it back up and running again. The government has got to help!”

Judas Priest comments: “The world has been more or less brought to its knees because of Covid-19 in this past year. It has affected so many people and businesses in all walks of life in so many ways. Our industry, the entertainment industry (which is a multi-billion dollar business), is suffering massively. It isn’t just affecting us – a band who want to get back out on the road, performing to our fans around the world – but it is affecting mainly our crew (and all the other crews), the venues and their staff, cleaners, security, caterers, local crew, bus drivers, truck drivers, lighting and video personnel, stage set designers and stage set builders. The list is endless.

“We need help, for the venues to be able to put on shows and the artists to be able to perform we all need to get tour insurance that will cover Covid-19 so shows can go ahead. Now we have the vaccine things should be on the way up but we need your help urgently, please!”

Depeche Mode comments: “With the live music industry in the UK shut down for over a year, our crew, our fans, venues, and everyone else who makes shows possible has been badly affected. Jobs and income have vanished almost overnight, and fans and artists alike have been left wondering when live shows will be possible again. We need the government to help us get our industry back on track and to help restart live events in a safe, effective way once it’s possible to do so.”

Government-backed insurance funds will be explored at ILMC during Insurance: The Big Update, while lessons that can be learned from 2020’s lost festival summer will be discussed during Festival Forum: Reboot & Reset.

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The O2 Arena in London witnessed a week of firsts, as Hans Zimmer, the Lumineers, Liam Gallagher and the Chemical Brothers all made their debut headline appearances at the venue.

All artists received First Time awards, starting with Hans Zimmer, who performed as part of his The World of Hans Zimmer – A Symphonic Celebration world tour on Tuesday 26 November.

American folk band the Lumineers brought their III tour to the arena the night after, followed by Liam Gallagher, who played a two-night run on 28 and 29 November as part of his Why Me? Why Not? tour.

The Chemical Brothers closed out the week of O2 debuts on 30 November with their No Geography Tour.

“We feel honoured and lucky to host such an array of artists at the venue”

“It’s been an incredible week of shows at the O2 including four artists who have performed at the venue for the very first time,” says Christian D’Acuna, head of programming at the arena.

“We feel honoured and lucky to host such an array of artists at the venue; from the legendary film scores composed by Hans Zimmer, and the Lumineers bringing their country-folk, to rock-and-roll star Liam Gallagher delighting fans with two ‘biblical’ sold out shows, and ending the week of first-time shows with Chemical Brothers’ incredible live show full of lasers and mesmerising visuals.”

The O2, which has sold over 25 million tickets since 2007, announced more upcoming debuts for 2020 and 2021, from Camilla Cabello, Our Planet and Hollywood Vampires at the arena.

Pictured (l to r): Dieter Semmelmann (CEO, Semmel Concerts), Stuart Galbraith (CEO, Kilimanjaro Live), Hans Zimmer, Steve Kofsky (CEO, RCI Global) and Marc Saunders (programming manager, the O2)

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AEG Presents’ All Points East returned to London’s Victoria Park over the weekend, following up on the success of its inaugural edition last year, despite sound issues tainting performances for some.

The first weekend of All Points East took place from Friday 24 to Sunday 26 May in the east London park with headline performances from the Chemical Brothers, the Strokes and Christine and the Queens.

The festival is held over two consecutive weekends, with four days of free, community events held on the site in between. This year marks the second outing of the AEG Presents/ Goldenvoice event, which had a “highly successful” first year in 2018.

The Strokes made their first UK appearance in four years, heading up the bill on the festival’s second day, alongside the Raconteurs, Interpol and Johnny Marr. However, festivalgoers claimed the set was marred by poor sound quality.

Fans also complained about the sound quality during Johnny Marr and Interpol performances.

All Points East organisers released the following statement in response to the complaints:

“The sound quality at our shows has been of a consistently high standard since we started All Points East in 2018”

“Thank you to the Strokes for joining us last night for a truly incredible show. The sound quality at our shows has been of a consistently high standard since we started All Points East in 2018 and we were disappointed to learn that there was a sound issue in some areas of the site during the Strokes’ set.

“The sound engineers worked hard to address the problem as quickly as possible and, whilst it improved, we regret that a section of the audience didn’t have the audio experience that we expect for them. We will be responding to individual customers in the next few days.”

No sound issues were reported the following night. Christine and the Queens closed the first weekend of the festival on Sunday evening with a well-received debut headline performance.

Ten-day All Points East continues throughout the week with four days of free-to-access offerings including outdoor cinema viewings, live music, dance workshops, sporting activities, yoga sessions, children’s theatre and street food and pop-up bars.

Weekend two kicks off on Friday 31 May with headliners Bring me the Horizon, followed by Mumford and Sons and Bon Iver on Saturday and Sunday.

AEG Presents/ Goldenvoice have a five-year contact with Victoria Park owner Tower Hamlets Council, for exclusive use of the park for events.

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