LGBTIQ+ List 2026:
Mica Sefia | Black Lives in Music

"As a Black, queer, neurodivergent woman, my identity informs everything I do, whether intentionally or not"

By IQ | 12 June 2026

[she/her] Project manager, Black Lives in Music London, UK [email protected] Mica Sefia is a Leeds Conservatoire alumna and project manager at Black Lives in Music.

She previously worked as EDI project coordinator at Leeds Conservatoire, where she developed her commitment to equity, inclusion, and meaningful structural change. Drawing on her lived experience as a Black woman in the music industry, Mica is passionate about educating others, creating safe spaces, and opening up opportunities for people…

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LGBTIQ+ LIST 2026:

Erik Kammerer

Live Nation

"We need to slow down, pause, and identify those who will challenge industry norms while also honouring legacies"

Steve Berry

Stagetruck Ltd

"I do what I do because I want everyone who comes to work with us to feel welcome, included, and part of something they’re proud of"

Jyn Paul

DICE

"Equitable access to tickets remains the biggest challenge the industry faces in keeping fans motivated and artists connected"

Paul Schäfer

Freelance

"Representation matters because it creates role models, opens pathways, and signals to the next generation that there is space"

Antonia Lines

LIVE Trust

"We're working in collaboration with the live sector to fix long-term problems and create a better future for everyone"

Shorlette Ammons

Farm Aid

"The same handful of corporations controlling food systems are often shaping culture and access in entertainment, too"

Mary Allen

UTA

"We’re navigating a significant level of touring oversaturation alongside growing price resistance"

Małgorzata Staniszewska

Alter Art

"When we prioritise fair treatment, economic security, and a safe, respectful environment, we create an industry where talent can thrive"

Mariano Otero

Fever / DICE

"The ticketing industry is entering a period of increased scrutiny and regulatory change, which is both necessary and overdue"

Harry Wilding

Festival Republic / Kelham Pride / ILMC

"Grassroots venues help grow the careers of new artists that will one day become our arena fillers and festival headliners"

Bihter Çetinyol

Charmenko

"The industry in Türkiye is small; you can only work for corporations, governmental corporations, municipalities, and private companies"

Bruno Sérgio Gomes

30e

"Demand is huge, but production costs, routing, and ticket affordability are putting a lot of pressure on the middle of the market"

Pol Mitchell

Soft Serve Management

"There’s been a real backslide in lineup diversity in mainstream events, which is a signal of bigger economic and systemic disruption"

Toby Corton

Mighty Hoopla / Sounds Queer / State is Flow

"Pay artists fairly, regulate, and redistribute profits in favour of the people who, without their work, the 'music industry' would just be 'industry'"

Ethan-James Luke

Legends Global

"The audiences are diverse, the talent is diverse, so the people shaping the industry should reflect that, too"

Peter Allott-Fletcher

AEG Presents

"Everything has become more expensive, and often unpredictably so – global events have an almost immediate impact"

Thiago Nakano

30e

"In Brazil, where music is such a strong part of people’s identities, tours can become real cultural moments"

Sandra Schweizer

Gadget Entertainment AG

"Being surrounded by so many people actively shaping the business was genuinely inspiring and gave me a stronger sense of perspective"

Kat Winfield

CAA

"It’s not just about representation on paper; it’s about creating an environment where people genuinely feel supported"

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